Frozen Oranges and 60s Ice Cream, by Chris Pitts

Frozen Oranges and 60s Ice Cream

by Chris Pitts

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1.	Islington Angel 03:27	buy track
2.	Toy Shop Jenny And The Hypocrites 03:16	buy track
3.	Beautiful People At St. Ives Bay 02:55	buy track
4.	So Long Phil 02:56	buy track
5.	Aristocrat Cat 02:32	buy track
6.	Drop Out Road 03:29	buy track
7.	Renaissance In Richmond 02:25	buy track
8.	The Way To The Ruined Pier 03:46	buy track
9.	Excuse Me Can I Take That Dream Again 02:14	buy track
10.	Hedgehogs 02:51	buy track
11.	Freedom Soul Highway 05:13	buy track
12.	Puppet Man 03:28	buy track
13.	My Friend Of The Trails 02:37	buy track
14.	Never Ending Sunset 05:17	buy track
15.	The Fab Four 02:45	buy track
16.	Cinderella 04:56	buy track
17.	Liverpool Bells 04:05	buy track
18.	You Were One Of The Beautiful People 03:34	buy track

about

They say that if you can remember the 60s then you weren’t there. That may be true for some who in the latter part of the 60s spent more time tripping than anything else. But for the fortunate few who were in on the beginning of the 60s the memories are much brighter. Undimmed even now for those who remember that time, looking back from the foreign land that is Britain in the late 2010s.

Chris Pitts may be accused of wearing rose tinted spectacles as he looks back. But this is an accusation he strenuously denies.

This album, looks back, and indulges in a good deal of nostalgia. There are some fond farewells, but this album keeps it real. Chris is not uncritical, particularly of the privileged few who arguably sold out the revolution of love.

Dick Davies: Milborn House

Chris writes a sentimental history down a lane of past times, heroes, music and memories of long ago while looking through the eyes of a youth just seemed so much easier and lighter. This takes me back to my childhood with a lot of my own memories of people and places only thought of during moments like this. Thank you Chris!

Steve Lake

credits

released March 7, 2019

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about

Milborn House Colchester, UK

Chris Pitts writes in the tradition of English landscape poets. He uses the medium of ‘Symphonic folk’ to give a sense of Pathos to his work.
Although a lot of his work is melancholy it is by no means all like that, the thumping fervour of Arnold Plum tells us that he can be tongue in cheek even when the lyric is serious.

Mark Surrudge

Castle Folk ... more

chrispitts.co.uk

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